{"id":3882,"date":"2021-04-28T23:32:25","date_gmt":"2021-04-29T04:32:25","guid":{"rendered":"https:\/\/www.aldia.unah.edu.pe\/?p=3882"},"modified":"2021-04-28T23:32:59","modified_gmt":"2021-04-29T04:32:59","slug":"analisis-de-los-elementos-visuales-de-dos-obras-artisticas","status":"publish","type":"post","link":"https:\/\/aldia.unah.edu.pe\/?p=3882","title":{"rendered":"An\u00e1lisis de los elementos visuales de dos obras art\u00edsticas"},"content":{"rendered":"\n<figure id=\"attachment_706\" aria-describedby=\"caption-attachment-706\" style=\"width: 68px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\" wp-image-706\" src=\"https:\/\/www.aldia.unah.edu.pe\/wp-content\/uploads\/2020\/04\/CASTOR-FOTO-225x300.jpg\" alt=\"\" width=\"68\" height=\"91\" \/><figcaption id=\"caption-attachment-706\" class=\"wp-caption-text\"><span style=\"color: #800000;\">C\u00e1stor Salda\u00f1a Sousa<\/span><br \/><span style=\"color: #800000;\">sousa@usal.es<\/span><\/figcaption><\/figure>\n<hr \/>\n<p style=\"text-align: justify;\"><span style=\"font-family: helvetica, arial, sans-serif; font-size: 12pt; color: #000080;\"><strong><span class=\"fontstyle0\">Caracter\u00edsticas generales de la obra: <\/span><\/strong><span class=\"fontstyle2\">\u201cEl rapto de psique\u201d <\/span><span class=\"fontstyle3\">es una obra del pintor franc\u00e9s William-Adolphe Bouguereau, del a\u00f1o 1895. Pertenece al estilo art\u00edstico denominado academicismo, persiguiendo el dominio total de la t\u00e9cnica impecable, art\u00edstica y pl\u00e1stica hasta alcanzar el mayor perfeccionismo en relaci\u00f3n con lo que consideran la realidad, es decir, el realismo como fin \u00faltimo.<\/span><\/span><\/p>\n<hr \/>\n<p><span style=\"font-family: helvetica, arial, sans-serif; font-size: 12pt;\"><strong> <span class=\"fontstyle0\">Esquema compositivo: <\/span><\/strong><span class=\"fontstyle2\">compositivamente, deduzco varios subesquemas compositivos y figuras geom\u00e9tricas entre los diferentes elementos del cuadro. Como esquema general, presenta un esquema en aspa que va desde la punta de las alas hasta el pie de la mujer de un lado, complet\u00e1ndose con la tela p\u00farpura por el otro lado, en la esquina inferior derecha. SEGUIR LA P\u00c1GINA:\u00a0<\/span><\/span><span style=\"font-family: helvetica, arial, sans-serif; font-size: 12pt;\"><span class=\"fontstyle2\"><a href=\"https:\/\/www.aldia.unah.edu.pe\/wp-content\/uploads\/2021\/04\/An\u00e1lisis-de-los-elementos-visuales-de-dos-obras-art\u00edsticas-2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">An\u00e1lisis de los elementos visuales de dos obras art\u00edsticas<\/a>\u00a0<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caracter\u00edsticas generales de la obra: \u201cEl rapto de psique\u201d es una obra del pintor franc\u00e9s William-Adolphe Bouguereau, del a\u00f1o 1895. Pertenece al estilo art\u00edstico denominado academicismo, persiguiendo el dominio total de la t\u00e9cnica impecable, art\u00edstica y pl\u00e1stica hasta alcanzar el mayor perfeccionismo en relaci\u00f3n con lo que consideran la realidad, es decir, el realismo como [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3886,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-invitados"],"views":1484,"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=\/wp\/v2\/posts\/3882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3882"}],"version-history":[{"count":1,"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=\/wp\/v2\/posts\/3882\/revisions"}],"predecessor-version":[{"id":3887,"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=\/wp\/v2\/posts\/3882\/revisions\/3887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=\/wp\/v2\/media\/3886"}],"wp:attachment":[{"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aldia.unah.edu.pe\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}